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      <image:title>Journal - A New Birth of Freedom - Lincoln at Richmond, April 4, 1865</image:title>
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      <image:title>Annual Report Template - 98% Student Retention</image:title>
      <image:caption>DESCRIPTION TEXT. PELLENTE MORBI TRISTIQUE SENECTUS ET NETUS ET ET MALESUADA FAMES</image:caption>
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      <image:title>Annual Report Template - 52% Female Students</image:title>
      <image:caption>DESCRIPTION TEXT. MORBI TRISTIQUE SENECTUS ET NETUS ET MALESUADA FAMES PELLENTESQUE</image:caption>
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      <image:title>Annual Report Template - Quisque Malesuada Vulputate</image:title>
      <image:caption>DESCRIPTION TEXT. AMET DICTUM MAGNA SIT AMET MALESUADA LIBERO MORBI ODIO URNA, RHONCUS VITAE.</image:caption>
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      <image:title>Template - Our Practice</image:title>
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      <image:title>NASA</image:title>
      <image:caption>NASA Shuttle Engine Test Fire Marshall Space Flight Center – Huntsville, Alabama</image:caption>
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      <image:title>NASA</image:title>
      <image:caption>NASA Shuttle Endeavour STS-49, Post Landing Convoy Operations, Dryden Flight Research Center, May, 1992 Oil on canvas 45″ x 60″ This Painting is currently on display at the Smithsonian’s National Air and Space Museum as part of a traveling exhibit titled: “NASA Art, 50 Years of Exploration” There is also a companion book by the same title, published by: Abrams</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/546d4abde4b0255803314875/1593646696489-ILVVKBST3XTMRNOE30EN/NASA%2BT38s.jpg</image:loc>
      <image:title>NASA</image:title>
      <image:caption>Re-fueling of NASA T-38s at Johnson Space Flight Center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/546d4abde4b0255803314875/1591497930980-A0L5W6OYJGRY7LX5P0P5/nasa-gro-deploy3.jpg</image:loc>
      <image:title>NASA</image:title>
      <image:caption>GRO Deployment-Space Shuttle Atlantis deploys the Gamma Ray Observatory, April 1991</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/546d4abde4b0255803314875/1593646780876-03WPDZ2H1WXUXVWQ976D/NASA%2Bnbt.jpg</image:loc>
      <image:title>NASA</image:title>
      <image:caption>NASA Neutral Buoyancy Tank at Marshall Space Flight Center</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/546d4abde4b0255803314875/1593646712868-9QYRVNQRZJBN8S1O2PR9/NASA%2BSpace%2BStation.jpg</image:loc>
      <image:title>NASA</image:title>
      <image:caption>NASA Space Station Freedom Modules at Marshall Space Flight Center, 1992 These modules were part of Space Station Freedom; An American initiative started during the Presidency of Ronald Reagan to build and maintain a permanently manned and orbiting space station. Cost over runs and the U.S. debt crisis of the 1980s necessitated annual redesigns between 1990 and 1993. The dissolution of the USSR allowed NASA to negotiate a new, joint agreement with Russia that eventually would involve the cooperation of fourteen Nations to build and maintain what is now called “The International Space Station” This painting was done in 1992 when it was still called “Space Station Freedom” In fact my last project for NASA was to be a depiction of Space Station Freedom in Earth’s orbit, with a shuttle docking and astronauts doing space walks (EVAs) I was just beginning work on it when I got the call that Space Station Freedom had been cancelled. It was at this same time that Bob Schulman (then NASA art director) asked me to go with him and another artist to the Soviet Union’s Space Center as part of a US/Soviet Artist exchange. I was to go on the second round. The first round he took several other artists with him. I was disappointed upon his return because apparently they all got very sick over there, conditions in Russia were very poor and deteriorating fast so Bob vowed not to return. Very soon there after the Soviet Union collapsed.</image:caption>
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      <image:title>NASA</image:title>
      <image:caption>NASA Gamma Ray Observatory being hoisted into a test chamber prior to launch on Space Shuttle Atlantis STS-37 April 5, 1991 This painting is also currently on exhibit at The Smithsonian’s National Air and Space Museum as part of a traveling exhibition titled: “NASA Art, 50 Years of Exploration” There is also a companion book by the same title, published by Abrams</image:caption>
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    <lastmod>2020-12-07</lastmod>
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    <loc>http://www.nathangreenestudio.com/early-work</loc>
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    <lastmod>2020-12-07</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/546d4abde4b0255803314875/1593647688877-RPZTU5K718R1HMSWF0H3/Ranger%2BRick%2BCritters.jpg</image:loc>
      <image:title>Early Work</image:title>
      <image:caption>Ranger Rick Magazine “Critters”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/546d4abde4b0255803314875/1593647711968-S6LE9OY3JZIPXGU7SHAM/NG%2BGoing%2BFishin.jpg</image:loc>
      <image:title>Early Work</image:title>
      <image:caption>Book Cover Illustration for “Way Back In The Hills”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/546d4abde4b0255803314875/1593647630957-HE3Z4EMCO6JPM52KC46E/Setter%2Band%2BSwallow.jpg</image:loc>
      <image:title>Early Work</image:title>
      <image:caption>Setter and Swallow Irish Setter and Swallow was an Illustration for Partnership Magazine, probably around 1988. Patty and I moved from Chicago back to Michigan in 1987. That first year back I went to the dog pound and adopted a young Irish Setter named Rudy who looked very much like this one. She was my constant companion for the next 7 years. I wish Rudy was still here.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/546d4abde4b0255803314875/1593647592863-INH5D2Y9QFA78DWQ90N3/Sign%2Bof%2Bthe%2BBeaver%2Bcopy.JPG</image:loc>
      <image:title>Early Work</image:title>
      <image:caption>"Sign of The Beaver" Illustration for Scott Foresman Textbooks</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/546d4abde4b0255803314875/1593647668917-XKWOYE5DE7MZHN6K65TM/Dragon%2Bcopy.JPG</image:loc>
      <image:title>Early Work</image:title>
      <image:caption>Fearless</image:caption>
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      <image:title>Early Work</image:title>
      <image:caption>Princess Anne</image:caption>
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    <lastmod>2020-12-07</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/546d4abde4b0255803314875/1607051726074-FIY4QTJZDD22B5XI922A/Nowhere+Else+to+Go.png</image:loc>
      <image:title>Historical Collection</image:title>
      <image:caption>Lincoln At Antietam, "Nowhere Else To Go" This painting is also a depiction of Lincoln in his tent at the end of one of those long days of visiting with troops and the wounded, conferring with officers, and seeing where the battles took place. Here he is alone in his tent at night, kneeling in prayer. On the field desk is an Amberotype photograph of his son Willie, based on one actually owned by Abraham and Mary. Lincoln is leaning against an officers chest with the name; Major G.O. Haller stenciled on the side. According to David Hunter Strother; aid to General McClellan: “Another telegram brings news that Abraham Lincoln and suite will visit us tonight. Major Granville O. Haller went to work in haste and pitched three large tents and borrowed bedding enough to furnish the party with lodging.” On the chest is Lincoln’s stove pipe hat which still has a wide black mourning band on it, in memory of Willie. Also on the chest is a captured Confederate flag much like the one seen on the ground in Alexander Gardner’s famous photograph of Lincoln conferring with McClellan. Through the tent flap can be seen soldiers from the 93rd New York gathered around campfires as the moonlight reflects off rows of Sibley tents. This was a time when perhaps no American President ever faced a greater trial nor experienced greater sorrow. There has been much debate about Lincoln’s spiritual life but the evidence suggests that as the war progressed he became more deeply convicted that “the hand of providence” was involved in the events of the war, his presidency and eventually the end of slavery.  “I have been driven many times to my knees by the overwhelming conviction that I had nowhere else to go”   Abraham Lincoln</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/546d4abde4b0255803314875/1593646964165-31YDPBO1VTHTZVH4FDG1/a-new-birth-of-freedom%2Bcopy%2B3%2Bsm.jpg</image:loc>
      <image:title>Historical Collection</image:title>
      <image:caption>A New Birth of Freedom On April 4, 1865, President Abraham Lincoln came to see first hand the long sought after prize of the Civil War, the confederate capital Richmond Virginia. Just a day and a half earlier the confederate government had abandoned their capital, leaving part of the city in flames and destroying the bridge across the James river to slow the Union army's pursuit. Arriving early in the afternoon at Rocketts Landing, the President was escorted by Admiral David Dixon Porter and 12 sailors from the Admiral's flagship the U.S.S. Malvern. Also with the small party were Lincoln's body guard Sgt. William Crook, Lt. Commander Henry Adams of the Navy, Army Captain Charles B. Penrose, Signal Corp officer William W. Clemmens, and Lincoln's 12 year old son Tad (Taddie) Lincoln.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/546d4abde4b0255803314875/1607051709572-7C51CGKPN0OEOPXDKRCR/In+the+Darkest+Hour.png</image:loc>
      <image:title>Historical Collection</image:title>
      <image:caption>Lincoln at Antietam Oct.3, 1862 "In The Darkest Hour" On October 2, 1862, two weeks after the battle of Antietam (still the bloodiest day in U.S.Military history) Abraham Lincoln came to visit the Union Army where it was camped in the valley of Antietam and along the Potomac River. For two nights the president stayed in a military tent next to that of General George B. McClellan. Lincoln spent several days visiting the troops and the wounded and conferring with the general. He was shown where some of the fiercest fighting took place and paid a visit to a local farmhouse holding wounded confederate soldiers. Lincoln was deeply moved by the suffering and sacrifices made by the soldiers. He was also frustrated by General McClellan’s reluctance to move. In fact the President was on the verge of removing the commanding General when he came to visit in the fall of 1862. The fate of the nation and the weight of the world seemed to be on Lincoln’s shoulders at this time. He had his own private suffering as well, for his young son Willie had died of Typhus earlier that year in the White House. His wife Mary suffered an emotional breakdown as a result so that even she could not provide support for the care worn President. This painting depicts Lincoln at the end of one of those long days. With the burden of the war on his shoulders and frustration over General McClellan’s reluctance to move, Lincoln seeks reprieve and wisdom from a small soldier’s Bible (something he had been witnessed doing on other occasions). On the field desk is a picture frame with an Amberotype photograph of Lincoln’s son Willie. it includes a lock of Willie’s hair and is based on one actually owned by Abraham and Mary. On the bed is Lincoln’s stove pipe hat which still has a wide black mourning band on it, in memory of Willie, which can be seen in actual photographs taken of Lincoln’s visit by photographer Alexander Gardner. Next to Lincoln is an officer’s chest with the name Major G.O. Haller stenciled on the side. According to David Hunter Strother, aid to general McClellan: “Another telegram brings the news that Abraham Lincoln and suite will visit us tonight. Major Granville O. Haller went to work in haste and pitched three large tents and borrowed bedding enough to furnish the party with lodging.” On the chest is a captured confederate flag and officer’s sword. Through the tent flap can be seen soldiers of the 93rd New York gathered around a campfire as the moonlight reflects off rows of Sibley tents. Lincoln had always been an avid reader and had a thorough knowledge of the scriptures. As the war progressed he became more deeply convicted that the “Hand of Providence” was involved in the events of the war, his presidency and eventually the end of slavery. “I have felt his hand upon me in great trials and submitted to His guidance.”   Abraham Lincoln</image:caption>
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      <image:title>Historical Collection</image:title>
      <image:caption>“For I Was Thirsty" Sgt. Richard Kirkland at Fredericksburg 19 year old Confederate Sgt. Richard Kirkland was deeply moved by the cries of the wounded Union soldiers lying in the field before him. That afternoon he decided to do something about it. Kirkland went on to fight in many engagements, including Gettysburg, where he was thought to have been given a brevet promotion to Lieutenant. Kirkland was killed at the battle of Chickamauga, Just nine months after the incident at Marye’s Heights. General Kershaw would later write: “He has bequeathed to the world an example which dignifies our common humanity.”</image:caption>
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      <image:caption>Pencil Portrait of William Wilberforce Editorial Illustration for Christianity Today</image:caption>
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      <image:caption>The Paralytic at the Pool of Bethesda Sketch</image:caption>
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      <image:caption>Moses Striking the Rock</image:caption>
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      <image:caption>The Rescue</image:caption>
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      <image:title>Inspirational Watercolors</image:title>
      <image:caption>Reaping the Harvest</image:caption>
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      <image:title>Nature</image:title>
      <image:caption>Great Horned Owl Sketch Sketched from a live captive Owl being rehabbed at the Kellogg Bird Sanctuary in Kalamazoo, Michigan August 8, 1984</image:caption>
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      <image:caption>Pilgrim’s Progress Oil Wash/Mixed Media on Illustration board, 30″x 40″ This was used as the cover Illustration for The New Amplified Pilgrim’s Progress, written by John Bunyon and adapted by Jim Pappas.</image:caption>
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      <image:caption>Boy Reading Oil Wash/Mixed Media on Illustration Board, 30″ x 40′  This Was an Illustration for the June 1999 issue of “Focus on the Family” magazine, for an article by Sigmund Brower titled; “Give Them What They Want – Getting boys to read is not as difficult as you might think” The boy who modeled for this scene is my son Tommy when he was about 10 years old.</image:caption>
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      <image:caption>Christiana or Pilgrim’s Progress part II Oil Wash/Mixed Media Illustration on Illustration Board, 30″ x 40″ This is a depiction of Christiana and her children battling with the Giant of Despair. Used as a book cover for “The New Amplified Pilgrim’s Progress part II, Christiana” Written by John Bunyon and adapted by Jim Pappas.</image:caption>
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